Showing posts with label Diaz. Show all posts
Showing posts with label Diaz. Show all posts

Saturday, October 23, 2010

Book Design



One of my passions is book design. I'm not an expert, though. I appreciate books-as-art-objects, especially novels whose design and illustration enhance the story, where form and content mesh seamlessly.

David Diaz's design and illustration of my book The Wanderer (Joanna Cotler Books, HarperCollins, 2000, 305 pages) is (admitting bias) one of my favorites. (Examples above.)  Diaz designed a different icon for each of the 78 chapters, plus additional full-page sectional dividers. His artwork bears repeated close study for the way that repeated visual elements (swirls of the sea, for example) echo the story's repeated thematic elements. Some day I would like to frame each of his chapter openings!



The first chapter book in which I remember noticing the visual elements was The Timbertoes by Aldredge and McKee (Beckley-Cardy, 1932, 1943). It was also the first book I read in which I was completely and totally 'in the book.'  I remember staring at the illustrations that complemented the text, unable to leave the world of the story:


and

That color illustration still draws me in; the caption still makes me laugh.

David Diaz also "illuminated" my book, The Castle Corona (Joanna Cotler Books, HarperCollins, 2007, 320 pages.) I was stunned at the way his full-color illuminations perfectly captured the tone and milieu of the story. I may have slobbered over the artwork:


Each chapter opens with half-page full-color art.


The paper is rich, the edges are deckled. I love what Diaz and the publisher did with this book.

Three recent books I also greatly admire include:

Kate DiCamillo's The Miraculous Journey of Edward Tulane, with illustrations by Bagram Ibatoulline (Candlewick Press, 2006, 200 pages). I would have loved, as a child, to find this book in my hands. I would have pored over every sepia illustration and every full-color one:


and


Another recent book whose design I especially admire is Where the Mountain Meets the Moon, written and illustrated by Grace Lin (Little Brown, 2009, 282 pages).  The meshing of form and content is brilliant:



And a third, recent book with elegant design is Pam Munoz Ryan's The Dreamer, illustrated by Peter Sis (Scholastic Press, 2010, 372 pages). Everything about the design of this book–from the paper quality to the font style and size, to the illustrations, to the selection of green ink–embellishes the artistic awakening of the boy who is its subject.



Do you have favorites, especially among illustrated novels, to recommend?

I have more, so I'll need to revisit the topic later.  Meanwhile, please remember that all artwork above is copyrighted by the illustrators.

Ciao, bellas, and good night. . .

Wednesday, June 3, 2009






More Diaz Art

Wednesday, June 3

Above are three of David Diaz's illustrations for Who's That Baby?  I'm not sure if it will be clear in the photos, but each has inspired the painted walls in one part of the house.  The Grandpa illustration hangs in the 'best' guest bedroom, where the walls are pearly blue-gray. The "Baby in a Basket" illlustration hangs in a golden hallway, adjacent to a wine red wall (not seen in photo).  The "Hold a Baby" illustration (also known in our house as 'Flying Lady') decorates a pale yellow wall adjacent to a coral one.

Here is the text for the poem that accompanies the 'Flying Lady' illustration:

"Hold a Baby"

Hold a baby 
every day:

dip and swing
and swoop and sway.

Hold a baby
every day:

that will sweep
your woes away!


Tuesday, June 2, 2009



Diaz Art

Tuesday, 2 June, 2009

Sorting through photo images today, I came across a file of David Diaz's artwork for The Castle Corona.  How I love these images.  There are about a dozen paintings repeated throughout the book: at the beginning of each major section, and at the beginning of each of the fifty-six chapters.  Some are full page and some are half-page.  Beautiful, bold colors.  I'm going to frame several of these.  
We framed six of his illustrations from Who's That Baby? when we renovated our house, and we based the house's entire color scheme on his artwork.  I'll gather a few photos of those for tomorrow's blog.
Stunning, stunning art!